Yonas Kibreab

Remy Edgerly

Zoe Saldaña

Brad Garrett

Brandon Moon

Jameela Jamil

Young Dylan

Jake T. Getman

Matthias Schweighöfer

Ana de la Reguera

Atsuko Okatsuka

Shirley Henderson

Naomi Watanabe

Brendan Hunt

Anissa Borrego

Shelby Young

Bob Peterson

Kate Mulgrew

Tamara Tunie

Matt Aspbury

Anna Wolitzky

Rob Simonsen

Danielle Feinberg

Pete Docter

Mary Alice Drumm

Jordi Gaspar Aldea

Harley Jessup

Evelyn Gunawan

Natalie Lyon

Paul McGrath

James W. Brown

Kevin Reher

Yingzong Xin

Hana Yoon

Youri Dekker

Charlie Aufroy

Donald Chan

Hyesook Kim

Brett Schulz

Mike Stern

Matt Walker

Catherine Hang-Hicks

Jonah Sidhom

Terri Douglas

Tarun Lak

Chaeyeon Lee

Sean Ryan McEwan

Mark-Leon Rivera

Michael Sauls

Eddy Okba

Julian Teo

Jeremy Bowker

Madeline Sharafian

Kelly Bonbright

Domee Shi

James S. Baker

Lora Hirschberg

Bonnie Wild

Lindsey Collins

Jude Brownbill

Travis Hathaway

Brian Larsen

Claudia Chung Sanii

Julia Cho

Mark Hammer

Mike Jones

Adrian Molina

Steve Bloom

Hannah Friedman

Jesse Andrews

Alice Clendenen

Jessie Thiele Schroeder

Kate Hansen-Birnbaum

Peter de Sève

Stephen L. Wong

Jeremy Slome

Noah Newman

Greg Snyder

Stephen Schaffer

Brian Vidal

Ben Morris

Jade Grout

Paloma Rodriguez

Eric M. Barker

Jeanette McNeil

Carmen Velazquez Chagolla

Diya Correa

James Woods

Kaleb Rice

Lexi Diamond

Tony Rosenast

Rejean Bourdages

Mitra Shahidi

Michael Wu

Steph Waldo

Yon Hui Lee

Adam Campbell

Bill Presing

Dan Park

Dean Kelly

Zilai Feng

Esteban Bravo

Jeff Call

Michael Daley

Paula Assadourian

Hyein Park

Derek Thompson

Alexander Pimwong

Rosana Sullivan

Le Tang

Margaret Spencer

Anna Benedict

Bob Pauley

Josiah Davis

Family

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Animation

Science Fiction

Elio

Pixar

United States of America

English

villain

alien

coming of age

computer animation

eye patch

social outcast

aftercreditsstinger

beforecreditsstinger

space adventure

sattelite

pre-teen

amateur radio

mother son relationship

good versus evil

3d animation

interspecies friendship

clones

comforting

pixar

Sickeningly incredible. Pixar never misses.

CinemaSerf

The geeky young “Elio” has been orphaned into the care of his military aunt “Olga” who works for Uncle Sam helping folks to navigate the debris that’s floating around in outer space. He likes to speak his own language “Elioese” and is fascinated, obsessed even, with making contact with alien life. He’s convinced that there is intelligent life out there, so imagine his surprise when he hears of a possible response from the Voyager mission sent decades ago. Next thing, well he is transported to the kaleidoscopic “communiverse” where everyone share peace, knowledge and friendship. Well, nearly everyone. The nasty “Grigon” wants to join but when they politely decline he threatens them with obliteration - and a verifiable obliteration at that. Clever these folks may be, but fighters they are not so it falls to “Elio” to prove his worth by trying to negotiate some sort of truce! Off to the big warship he goes, and that’s where he meets “Glordon” and learns a great deal more about his potential foe, and about friendship and loyalty as they embark on some lively escapades. Now there’s not a great deal here that could ever be called original. It’s got plenty of themes and tech rehashed from films gone by, but it’s still an enjoyable and fun tale with a message that resonates engagingly. It challenges stereotypes on just about everything from machismo bullying to parenting and cuddling and though the visuals are up to their usual high standard, fluid, imaginative and colourful, they don’t overwhelm the simplicity of the thrust which is a story about trust friendship. Will you recall it this time next year? Well no - probably not, but it keeps clear enough of too much sentiment, has some tea-time menace, mischief, laser cannons and it also reminded me of when I had a radio ham call sign too.

Manuel São Bento

Elio is a heartwarming, intergalactic adventure that once again proves Pixar's mastery in crafting family-friendly stories layered with deeper emotional undercurrents. The voice cast is impeccable, with every performance radiating charm and sincerity, making it easy for viewers of all ages to connect with these vibrant characters. The score, as is typical for the studio, plays a pivotal role in guiding the emotional journey, gently elevating moments of wonder, sadness, and joy without ever feeling overbearing. There's an infectious sense of fun throughout, with plenty of space-faring antics to keep kids engaged, while older audiences will find value in the themes of loneliness, grief, and the universal desire for belonging.

However, Elio doesn't reach the emotional or narrative heights of Pixar's most iconic offerings. Its message, while undoubtedly impactful and accessible, feels too broadly framed to leave a lasting personal mark. The themes are universally relatable, but the movie's refusal to dig deeper into its more profound ideas keeps it from resonating on a soul-piercing level. It's touching, yes, but in a way that feels like a gentle nod rather than a heartfelt embrace. Still, Elio remains a commendable addition to Pixar's filmography - emotionally rich, charmingly performed, and filled with enough heartfelt moments to justify the trip across the stars.

Rating: B

Chris Sawin

Elio (Yonas Kibreab) is an 11-year-old boy who has recently lost his parents. He’s been taken in by his aunt Olga (Zoe Saldana). Olga works in orbital analysis and is gone a lot. Feeling like he doesn’t belong anywhere and nobody wants him, Elio finds comfort in interplanetary life. He takes on an obsession with ham radios and attempts to communicate with aliens while simultaneously trying to get abducted nightly.

One night, Elio is finally abducted by aliens. He’s introduced to an incredible new environment with alien species the likes of which the human eye has never seen or interacted with. He wants to stay forever until they reveal that they think he’s the leader of Earth. Elio lies his way into the alien community, but to stay he must risk his life to save them.

There are themes in Elio that are circled back around in elegant fashion. Elio loses his family before the film even begins. He’s also weird enough that he doesn’t have any friends. The film tries to paint Elio in a creative light like he has this big imagination because he’s invented his own language and can lie himself into and out of any situation. But he mostly comes off as a shitty person that treats his hard-working aunt, who only wants to support him and for him to love her, like dirt.

The animated sci-fi adventure film is about Elio coming to terms with the loss of his parents. He feels alone, has low self-esteem, and has extreme acceptance issues. But the film explores what it’s like to find your own family made of new friends and that you’re never really as low or alone as you think you are.

He is initially shipped off to boarding school because of his uncontrollable behavior and inability to not be a destructive shit. Once he’s at the Communiverse, he meets a liquid-like supercomputer named OOOOO. She clones Elio and sends his clone back to Earth so no one will notice that he’s gone. But as Elio checks up on him, he sees what it’s like to be a family with his aunt and becomes homesick.

Visually, the film is at its best when Elio is at the Communiverse. The Communiverse is filled with all sorts of alien leaders from all over the galaxy with the intent of sharing their knowledge with others and hopefully recruiting other respectable leaders. These sequences are filled with all sorts of eccentric creatures while its “alien” explanation allows things like basic physics or logic to be thrown out the window.

Hands down the best character and most enjoyable part of the film is Glordon. He is worm-like and his design was inspired by larval insects and microbiotic creatures like the tardigrade. His mouth seems to go on forever and is overrun with teeth kind of like a Dune sandworm. He can spin web like a spider and is heat and lava-resistant. He looks menacing and scary, but once he gets an English translator has an adorable little kid’s voice and is super expressive even though he doesn’t have any eyes. The friendship he develops with Elio has way more of an impact than the one the film forces him into with his aunt.

Unfortunately, Elio crawls at a slug-like pace through what feels like the longest hour and a half of the summer. It struggles through its first hour as Elio lies to everyone around him, gets in way over his head with the aliens, and attempts to abandon his aunt forever. Elio’s big plan is to join the alien community and leave Earth with no intention of ever going back. But apart from the enjoyable montage of Elio showing Glordon the Communiverse, the entire movie is just “Oh no, I lied too hard and don’t know what to do now.”

Animated films and TV shows have used slow-motion before, but Elio has some of the worst slow-motion effects in the history of animation. The slow-mo here looks like it was a decision that was made in post-production as the effect doesn’t look to be part of the animation but the editing of the film itself. It’s done in a way that makes you think the projector is acting up or something. It’s so jittery and awkward looking and the intended effect is probably not whatever you see on screen.

Elio is visually fun to look at and it gets somewhat entertaining in its last 20 minutes or so, but is otherwise a big, disappointing bowl of intergalactic garbage. The film chooses to follow an unlikeable character who is a brat the entire time and the main takeaway is that he shouldn’t be so much of a shithead and be decent to those who actually care about him for some reason. There’s something fun and whimsical here trapped inside the body of an entitled, lie-spewing thundercunt.

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Elio( 2025)

They asked for our leader. They got... him.

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A review by broadwaylottoentries

Written by broadwaylottoentries on Sat Jun 21 2025

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