Mel Gibson

Catherine McCormack

Sophie Marceau

Patrick McGoohan

Angus Macfadyen

Brendan Gleeson

James Robinson

James Cosmo

Sean McGinley

Gerda Stevenson

Mhairi Calvey

Jeanne Marine

Sean Lawlor

Sandy Nelson

Alan Tall

Andrew Weir

Brian Cox

Peter Hanly

Stephen Billington

Tommy Flanagan

Rupert Vansittart

Tam White

Ian Bannen

David O'Hara

Peter Mullan

David Gant

Malcolm Tierney

Martin Murphy

Gerard McSorley

Bernard Horsfall

Richard Leaf

Liam Carney

Ralph Riach

Barry McGovern

John Kavanagh

Alun Armstrong

Julie Austin

Alex Norton

Michael Byrne

William Scott-Masson

Dean Lopata

Donal Gibson

Jimmy Chisholm

John Murtagh

David McKay

Niall O'Brien

Martin Dempsey

Jimmy Keogh

Joe Savino

Mal Whyte

Paul Tucker

Greg Jeloudov

Jer O'Leary

Joanne Bett

Robert Paterson

Martin Dunne

Fred Chiverton

Daniel Coll

Bill Murdoch

Phil Kelly

Randall Wallace

James Horner

John Toll

Steven Rosenblum

Patsy Pollock

Thomas E. Sanders

Bruce Davey

Alan Ladd Jr.

Stephen McEveety

Charles Knode

Elisabeth Robinson

Belinda Edwards

Bea O'Sullivan

Klemens Becker

John Clothier

Andrew Hegarty

Jeremy Cornes

Emma Angel

Clare Langan

Ken Court

Nathan Crowley

Ned McLoughlin

Fernandes Mendes

Sue Love

Lois Burwell

Amanda Knight

Mary Alleguen

Lisa Parker

Padraig O'Neill

Anna Rackard

Brendan Rankin

Eddie Butler

Per Hallberg

Karen Baker Landers

Lon Bender

Hector C. Gika

Chris Hogan

Scott Martin Gershin

Christopher Assells

Nick Allder

Michael L. Fink

Steven T Puri

Simon Crane

Mic Rodgers

Andrew Cooper

Chuck Finch

Cynthia E. Thornton

Jim Henrikson

Willie Fonfe

Jennifer Collen-Smith

John McDonnell

Grania O'Shannon

Paul Shersby

Lucy Allen

John Lucas

Garret Baldwin

Mark White

Daniel T. Dorrance

Conor O'Sullivan

Christian McWilliams

Brian Baverstock

William Louthe

Donald Freeman

Alan Walsh

Paul Heasman

Paul Jennings

Peter Pedrero

Phil Lonergan

Sean McCabe

Steve Griffin

Stuart Clark

Terry Forrestal

Tim Lawrence

Tom Delmar

Tom Struthers

Tony Hinnigan

Ian Underwood

Eric Rigler

Paul Martinez

Paula Suhy

Ben Yeates

Matthew Tucker

Paul Topping

Victor Du Bois

Simon Atherton

Sheila MacDowell

William Yeh

Elizabeth Tobin Kurtz

Horace Manzanares

Judson Leach

Tim Groseclose

Billy Merrell

Noel Cullen

Gerry Bates

Adam Biddle

Jo Gibney

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Drama

History

Braveheart

Icon Entertainment International

The Ladd Company

B.H. Finance C.V.

United States of America

English

Français

Latin

epic

england

scotland

loss of loved one

idealism

based on true story

medieval

romantic

melodramatic

Being Scottish, this movie really does a good job at showing off the scenery in and around Scotland. The story line of this movie keeps you on the edge of your seat all the way through the movie. Mel Gibson does a really good job with the accent and plays a great role as William Wallace in the movie.

I cant help by want to stand up and shout FREEDOM! once the movie is finished. Could watched this movie another 1000 times and not get board of watching it. It's a must watch for any one who has not see it yet.

Historical flaws aside, Braveheart is a rousing spectacle.

So it comes to pass in the year of 1995 (not a year of our lord I think) that Mel Gibson would craft the award winning epic that is Braveheart, a film that is historically bent in the extreme, that is directed by a man who would go on to have a less than favourable character reputation, and a film that has a heavy handed approach at times. It's also as choppy as a boat ride during a tidal wave, so yes, Braveheart is far from flawless folks. Yet the structure, the epic emotional swirls and sheer spectacle of it all marks it out as a rousing treat.

It's a lavish gargantuan epic that somehow seems out of place for the year it was made, perhaps the secret of the films' success is because the 90s were crying out for an epic to get us hankering back to those halcyon days of Spartacus et al. Or just maybe the film punched the buttons of the public psyche because it is a great and grand thing to see the little people rise up and kick some ass? The oppressed and the bullied strike back as it were, surely that theme works for the normal human being? It's a sweeping tale that involves love, loyalty, honour, dishonour, treachery, death & heroes and villains. In short it ticks all the boxes for the genre it sits in (clinical bloody battles superbly full on). Gibson is William Wallace, and although he may struggle to nail the Scottish accent to fully convince at times, he more than makes up for it with his verve and vigour when delivering his lines - with the Sons Of Scotland speech at Stirling a particular iconic highlight.

Patrick McGoohan is pure egotistical villainy as Longshanks, King Edward I, and the supporting cast also do sterling work (or should that be Stirling?). Brendan Gleeson, Tommy Flanagan, Catherine McCormack, Angus Macfadyen, and the wonderful James Cosmo all add flavour to the delightful scotch broth on the screen. The score by James Horner is appropriately tight to the themes at work in the piece, and the cinematography by John Toll was rightly awarded at Oscar time since he captured the essence of the film. Be it the lush rolling hills or the blood stained field in the aftermath of battle, Toll's work is critically in sync with the unfolding mood of the picture.

So yes, damn straight, flaws and all, pic has the ability to lift and inspire many a discerning viewer. It does kick you at times, but as it does so, it also emotionally engages you from start to finish - to which the film deserves every accolade and award that it won. Because the grandiose epic had seemed long gone, but Gibson and his army brought it back to the modern era and made a genre piece fit to hold it's head up high with the greats of years gone by. 10/10

When i saw this I was 15 and it was one of the greatest movies I had ever seen. Fast forward to today, I'm 41, and degrees and history and... the battle of Sterling Bridge is like fingernails on a chalkboard whenever I see it.

I watched it with my wife and, "no, she was like 3 and living in France."

So I don't know. It was dramatic and moody and stylistically beautiful. It was a typical Gibson gore fest and that is always fun. It was well acted, the score added to the drama, and it spawned a movement in Scotland that they are still dealing with today...

... so it is still a really good film.

It just, well... where the heck is the bridge?

CinemaSerf

I am afraid that as a Scotsman, I had way more problem with the factual elements of this than perhaps I ought to have had. We have this history drummed into us as bairns, and so when a grand-scale depiction like this comes along, I excitedly expected more. It doesn't matter a jot that the eponymous Mel Gibson isn't a Scot - that is the acting equivalent of a red herring. What matters is that the story is largely a work of fiction. Gory, beautiful, authentic looking, certainly - but fiction nonetheless. Taken on that basis, then, it is still an entertaining mediaeval drama depicting the struggle of the king-less Scots against the oppression of England's King Edward I (Patrick McGoohan). Using a panoply of familiar faces, it gradually demonstrates the brutality of the English over these vassals, and introduces us to "William Wallace" (Gibson) who is one of the few who wishes to fight back. The killing of his wife at the hands of his local magistrate (Malcolm Tierney) is the last straw, and soon he is working with his kinsman Argyle (Brian Cox) to formulate a plan. What now ensues is a well produced, stylishly filmed drama offering us plenty of scheming and plotting and some seriously gory battle scenes before it all culminates in the unavoidable denouement. It takes it's time to get underway, but once it is up and running it is well paced, there is a minimum of romance, plenty of swordplay and lots of unadulterated freedom-fighter jingoism. Why not? It is a film about a man who fought for the freedom of his people against the tyranny of an interloper, and is effective at that. The historical timelines are a bit all over the place, as are many of the characterisations, but again that's another matter of fact that we have had to ditch at the opening titles. "Braveheart" is exciting, fast-moving and bloody - just what it is meant to be, and for that Gibson ought to be commended. Just a shame it couldn't be just bit more rooted in fact.

Lois Burwell | 'Braveheart' | Behind the Oscars Speech

"Braveheart" winning the Oscar® for Makeup

"Braveheart" and "Apollo 13" winning Oscars® for Sound and Sound Effects Editing

Braveheart( 1995)

Every man dies, not every man really lives.

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A review by Anton2k

Written by Anton2k on Sat Aug 04 2012

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