Jason Statham

Ben Foster

Donald Sutherland

Mini Anden

Tony Goldwyn

Christa Campbell

Katarzyna Wolejnio

Jeff Chase

Eddie J. Fernandez

John McConnell

Lara Grice

Ardy Brent Carlson

James Logan

Joshua Bridgewater

Joel Davis

Mark Nutter

David Dahlgren

J.D. Evermore

John Teague

David Leitch

Ada Michelle Loridans

Matt McColm

Chad Stahelski

Aaron Saxton

Dawn Neufeld

Simon West

Mark Isham

Richard Wenk

René Besson

William Chartoff

Cathy Sandrich Gelfond

Eric Schmidt

Mike Wilson

Brian N. Bentley

Chick Bernhard

David Winkler

Leonard R. Spears

Selena Arizanovic

Jon Mooney

Shannon Erbe

Amy Sanderson

Patti Perret

Jacques Jouffret

Yolanda Mercadel

Richard Lassalle

Lewis John Carlino

Christopher Lawrence

Amanda Mackey

Todd Harris

Hank Amos

Troy Robinson

Mark De Alessandro

Noon Orsatti

Tom Harper

Robert Alonzo

Jason Ament

Robert Chartoff

Boaz Davidson

Danny Dimbort

Avi Lerner

Trevor Short

Irwin Winkler

T.G. Herrington

Todd E. Miller

Jason E. Hamilton

Charles Guanci Jr.

Mechanic Collection

Action

Thriller

Crime

The Mechanic

CBS Films

Nu Image

Millenium Films

Chartoff-Winkler Productions

United States of America

English

chicago, illinois

research

martial arts

assassin

prostitute

airport

mentor

new orleans, louisiana

training

car crash

elite

remake

security

set up

mentor protégé relationship

contractor

vengeance

avenging son

colombia

suspenseful

foreboding

ominous

Per Gunnar Jonsson

When Jason Statham is good he is very good. In this movie I think he is very good as the silent, deadly killer for hire. It is a straightforward killer/action/thriller. The story is nothing new but it is a well working story which is nicely executed.

The story is, as I wrote above, not very original. Killer for hire finds out that his next target is his mentor and friend. As the professional he is he executes the job anyway but later discoverers that not all is as is should be. Time for revenge. A simple, straightforward and well working story.

Things are complicated a bit by Bishop taking his friend’s son under his wings. Of course he wants to walk in his fathers footsteps. He is inexperienced but also undisciplined. Something that, not surprisingly, is causing problems.

I do like that Bishop stays a no bullshit hardass killer throughout the entire movie. No whining or silly emotional outbreaks or breakdowns. I also like the unemotional, silent and deadly impression of a professional assassin the he radiates.

There are quite a few fairly well done action scenes in the movie ranging from silent assassinations to the obligatory blow things up scenes. The parts where Bishop and Steves goes after the big bad guy is quite well done with some quite cool stunts without being over the top.

The ending was probably the only thing in the movie that was a bit unexpected. Unexpected in a good way that is. I quite liked the little surprise there.

Overall I as well as my son liked this movie quite a lot. I hope that Mechanic: Resurrection is as good as this one.

The Movie Diorama

The Mechanic is unable to fix its mechanically mundane plot. “Amat Victoria Curran - Victory Loves Preparation”. Foreshadowing words engraved on the glossy barrel of Sutherland’s powerful pistol. Euphemism aside, West presents a remake of the Bronson-led action thriller that coincidentally features no vehicle mendings. That’s because, for those of you who aren’t subjugated to criminal organisations (hopefully all of you...), “mechanic” is slang for hitman. Despite Statham being bald and able to glue a fake tattoo of a barcode on that shiny cranium for a “propa laugh!”, unfortunately West was unable to title the feature “Hitman”. And so, he grabbed a wrench and proceeded into remake territory.

For what it’s worth, this is one of his more moderately tolerable features from the past decade. “Mechanic” Arthur Bishop is assigned the task of assassinating his mentor, subsequently taking his troubled son into training as a well-intentioned gesture. Naturally, Statham is slaying men in his wake with any object his eyes glisten towards, most notably a suitcase handle in this one. It’s clumsily edited, instantly forgettable and rarely hones in on the “making hits look like accidents” speciality. Expositional narration throughout, one or two plot twists that uphold no kinetic energy whatsoever and an incredible waste of Sutherland. Not to mention another “mechanic” having a weakness to young boys and small dogs. The two just don’t relate.

Interestingly, the film works when it’s divulging into the life of McKenna’s self-tortured son Steve, portrayed by the enigmatic, under-appreciated and consistent Foster. A reckless individual succumbed to illegal substances and a sleazy lifestyle to suppress his negligent upbringing. Undergoing cathartic vengeance in a bid to soothe the soul. His internal suffering forces his character to be the human component in what is otherwise a mechanical action thriller, packed full of explosions and rapid gunfire. It’s a battle of professionalism between the experienced Arthur and the inexperienced Steve, making for a surprisingly well-executed duel of wits.

The actual assassinations themselves were simple, although somewhat unimaginative, yet realistic. A few questionable moments, including a dumbfounded man glancing over at the tiniest of nuts (calm your mind...) that fell out of a grating, but nothing too outlandish. The utilisation of Schubert’s legendary piece Trio No. 2 in E-flat Major was revelatory, I must confess.

Having said that, The Mechanic is your standard Statham affair. Powered by a sensational supporting performance but weighed down by a mundane plot. Functional if immediately forgettable.

'The Mechanic' Trailer

The Mechanic( 2011)

Someone has to fix the problems.

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A review by Per Gunnar Jonsson

Written by Per Gunnar Jonsson on Mon Apr 10 2017

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