Adrien Brody

Sarah Polley

Delphine Chanéac

David Hewlett

Abigail Chu

Stephanie Baird

Brandon McGibbon

Amanda Brugel

Simona Măicănescu

Steven Hoban

Guillermo del Toro

Julia Valente

Chris Wallace

Steve Copley

Peter Armstrong

Michel Monier

Marc Kuitenbrouwer

Lydia Pensa

Jane Conway

Brandon Prodger

Todd Cherniawsky

Antoinette Terry Bryant

Marie Nardella

Vincenzo Natali

John Buchan

Jason Knight

Constance Demontoy

Alex Kavanagh

Joshu de Cartier

Doug Taylor

Lisa Burling

Mark Shnuriwsky

Steve Wilkie

Rossana DeCampo

Garrett Kerr

David Rose

Brad Sherman

Pierre Buffin

John Sievert

François-Xavier Aubague

Jacques Bled

Fabrice Lagayette

Plato Fountidakis

Marty Dejczak

Arnauld Boulard

Ian Hunter

Paul Rapovski

Dana Howes

Joseph Boccia

Steve Pederson

Jean-François Bourrel

Angelo Colavecchia

Sam Hudecki

Laurent Kossayan

Stefan Fraticelli

Aidan Stanford

David R. Beecroft

Christopher M. Meagher

Shie Rozow

Dino Laurenza

Alain Lalanne

Bob Munroe

Daniel White

Jason Lunn

David Sanger

David McCallum

Michael Griffith

Sue Len Quon

Leslie Kavanagh

William Cheng

Chris Howard

Roderick Deogrades

Dale Gagne

Christina Butterfield

Jill Purdy

Cyrille Aufort

Janice Ierulli

Jean-Alexandre Villemer

Tetsuo Nagata

Lou Thomas

Michele Conroy

James R. Murray

Cynthia Amsden

Franck Chorot

John Colavecchia

Desiree Lidon

Hubert Boorder

Sarah Campbell

Mark Cyre

Amanda Wojtaszek

David Herrington

Christopher Cordell

Mario Moreira

Jeff DaSilva

Mark Manchester

Andrew Shea

Horror

Science Fiction

Splice

Copperheart Entertainment

Gaumont

Senator Film

Dark Castle Entertainment

Canada

France

Germany

English

experiment

genetics

gene manipulation

genetic engineering

genetically modified organism

Andres Gomez

The FX is OK and the uneasiness and thrill is always there but the script is stereotypical, weak and full of holes.

Brundledren!

Splice is a tricky picture to evaluate, for its ideas are superb. One could argue that it brings a new petri dish full of meddling scientists facing the consequences of their actions, while conversely it justifiably feels like a Cronenberg knock-off.

Psychological discord is in abundance, with its slants on skew-whiff parenting giving the pic a dark fascination, and as unpleasant as the male fantasy angle is, it does hold a morbid interest factor.

Yet come the final third the makers let things run away from them, the bonkers dangers of tampering with science giving way to daft schlock, even managing to be distasteful in the process - while the finale is a weak attempt at a "TBC" cliff hanger.

Lead cast members are turning in good perfs. Adrien Brody and Sarah Polley as the meddling science couple hold court well, and Delphine Chaneac as the Chimera splicer of the piece really nails all the various emotional strands required for a tricky role.

Director Vincenzo Natali  has shown with Cube and Cypher he has something to offer the horror/sci-fi splinters of film, but this is a mixed bag. A film of great ideas let down by overheating the plot for shock values, while the levity inserted into the play is misguided and damaging for dramatic worth. 6/10

CinemaSerf

"Clive" (Adrien Brody) and "Elsa" (Sarah Polley) are a couple of genetic engineers charged by David Hewlett's "Barlow" with discovering an important gene that could lead to huge advances in medical science. Using a mix of human and animal DNA that have varying degrees of success before the evolution of a creature "Dren" (Delphine Chanéac) that develops more human attributes - as well as a tail with a stinger and the ability to grow wings. As we progress through this frankly rather disturbing story, we discover that "Elsa" quite literally has skin in the game as they must both seek to protect their creation from not just their employers but from her increasingly violent and lustful tendencies. I was quite interested in the underlying premise but the execution here is really poor. I never did really get why Brody was ever successful in the first place and here there is no chemistry between him and Polley; the storyline which could have been challenging and thought-provoking instead borders on the absurdly far-fetched and the ending couldn't really come quick enough as we really do struggle to reach any sort of a satisfactory conclusion - either from a personal or a scientific perspective. It does highlight the dangers of unfettered scientific experimentation but sadly in no more an entertaining fashion that we have seen many times before - more enjoyably - from Hammer Studios!

Splice( 2010)

She's not human...not entirely.

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A review by Andres Gomez

Written by Andres Gomez on Wed Nov 26 2014

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