Juliette Binoche

William Shimell

Jean-Claude Carrière

Agathe Natanson

Gianna Giachetti

Adrian Moore

Angelo Barbagallo

Andrea Laurenzi

Filippo Trojano

Manuela Balsinelli

Abbas Kiarostami

Luca Bigazzi

Gaetano Daniele

Claire Dornoy

Charles Gillibert

Marin Karmitz

Nathanaël Karmitz

Patrick Quinet

Fabiola Banzi

Giancarlo Basili

Ludovica Ferrario

Stefano Picciarelli

Franck-Pascal Alquinet

Leonor Greyl

Fabienne Robineau

Simona Chiocca

Adeline do Paço

Ivana Kastratovic

Maria Panicucci

Matilde Barbagallo

Marco Pettini

Cristina Cecili

Francesco Motolese

Francesco Spina

Lorenzo Carta

Bertrand Boudaud

Olivier Hespel

Grégory Noël

Dominique Vieillard

Sarah Iduwe

Francesco Antonio Maggi

Rodolfo Migliari

Miriam Pavese

Sandra Berrebi

Elise Cribier-Delande

Martina Merlino

Agathe Wesolek

Marzia Nardone

Alessandro Abate

Salvatore Bognanni

Paolo Cafiero

Patrizio Marra

Laurent Thurin-Nal

Gianfranco Pioggia

Fabio Policastro

Alessandro Saulini

Michel Tripepi

Bahman Kiarostami

Caroline Eliacheff

Massoumeh Lahidji

Bruno Di Bartolomei

Alessandro Luzi

Alfredo Miserocchi

Maxime Maisin

Julien Melebeck

Irene Bufo

Drama

Romance

Copie conforme

MK2 Films

BiBi Film

Artémis Productions

France 3 Cinéma

France

Italy

Belgium

English

Français

Italiano

Certified Copy

wedding anniversary

italian art

tuscany, italy

pair of earrings

estranged father

Andres Gomez

Sweet movie about the living troubles of a 15 years long couple.

Juliette Binoche and William Shimell do a great performance.

Abbas Kiarostami's last few films were made outside his native Iran, and his 2010 effort CERTIFIED COPY is set in the colourful towns and countryside of Tuscany. Its two main characters have arrived in Italy from elsewhere: a Frenchwoman (never named, and played by Juliette Binoche) has lived in Arezzo for several years now, running an antique shop, while James (William Shimell) is an Englishman invited to lecture on an art history book that he has written.

As the film opens, James is in fact giving that lecture, speaking of how a high-quality copy of a work of art may said to be better than the original. He soon meets the French antiques dealer, and the two spend an afternoon touring the nooks and crannies of Tuscany. With the Frenchwoman’s awkwardness and Jame's suave, confident air, Kiarostami is clearly riffing on the romantic comedies of the last two decades. But then the film takes a magical-realist turn: the two begin speaking as if they have been married for many years already. The apparent relationship between the two continues to evolve and morph over the course of the film's 106 minutes (and what seems to be for them just a Sunday afternoon spent together) as Kiarostami broods on the nature of marriage as the years go by: people change over time, a husband and wife will eventually be rather copies of their youthful selves, but will they be copies better than the originals, or a sad mockery of their youthful idealism?

For anyone who has been married (people who haven't may not get much of the film), CERTIFIED COPY is a moving evocation of the rigours of staying together with another person, and the shadowy undercurrents of even apparently happy unions. However, I was ultimately left with mixed feelings. Starting this film with a highly didactic lecture was, in my opinion, a bad choice: no audience wants to feel lectured to right off the bat. Then, the script is a bit too conversation-driven, becoming in parts a logorrhea that will overwhelm even viewers who can understand its trilingual French-Italian-English dialogue (it's probably horrible for those who rely on subtitles). Kiarostami could have trimmed the dialogue without sacrificing any part of his message.

Before making this film, Shimell had been known only as an opera singer on the stages of Europe. He manages to make the leap to film actor quite well, with all the subtlety that his role requires -- indeed, I know someone quite like James in both background and personality, and Shimell's depiction bore a resemblance so close it was chilling. Juliette Binochedeftly manages to change her mood and bearing instantly to signal another shift in the film's intrigue. In spite of the European setting, much of Kiarostami's personal technique remains (as well as general aspects of the Iranian New Wave like only the voices of minor roles heard, with the characters themselves not shown onscreen).

Juliette Binoche on "Certified Copy"

Official International Trailer

Abbas Kiarostami on Original Love

Certified Copy - Q&A

Abbas Kiarostami - Love as Misunderstanding

Official English Teaser

Certified Copy #3 Movie CLIP - Immortalized (2010) HD

Certified Copy #2 Movie CLIP - A Good Husband (2010) HD

Certified Copy #1 Movie CLIP - Fatherly Advice (2010) HD

Official United States Trailer

Juliette Binoche on 'Certified Copy'

Certified Copy - Copie conforme | clip #3V Cannes 2010 IN COMPETITION Abbas Kiarostami

Certified Copy - Copie conforme | clip #1 Cannes 2010 IN COMPETITION Abbas Kiarostami

Certified Copy( 2010)

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A review by Andres Gomez

Written by Andres Gomez on Thu Nov 22 2012

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