Emma Stone

Viola Davis

Bryce Dallas Howard

Octavia Spencer

Jessica Chastain

Ahna O'Reilly

Allison Janney

Anna Camp

Eleanor Henry

Emma Henry

Christopher Lowell

Cicely Tyson

Mike Vogel

Sissy Spacek

Brian Kerwin

Wes Chatham

Aunjanue Ellis-Taylor

Ted Welch

Shane McRae

Roslyn Ruff

Tarra Riggs

Leslie Jordan

Mary Steenburgen

Tiffany Brouwer

Carol Lee

Carol Sutton

Millicent Bolton

Ashley Johnson

Ritchie Montgomery

Don Brock

Florence "Flo" Roach

Nelsan Ellis

David Oyelowo

LaChanze

Dana Ivey

Becky Fly

Sheerene Whitfield

Cleta Elaine Ellington

Henry Carpenter

John Taylor

Charles Cooper

Diana Cooper

Coyt Bailey

Wade Cottonfield

Kelsey Scot

Amy Beckwith

Sloane Fair

Anna Jennings

Lauren Miller

Elizabeth Smith

Mary Taylor Killebrew

Kathryn Ursy

Stephanie Ward

Lamar Lott

Charles Orr

Tate Taylor

Stephen Goldblatt

Michael Barnathan

Chris Columbus

Brunson Green

Rena DeAngelo

Mark Ricker

Sharen Davis

Thomas Newman

Curt Beech

Kerry Barden

Paul Schnee

Hughes Winborne

Cate Hardman

Kathryn Stockett

Jennifer Blum

Nate Berkus

L. Dean Jones Jr.

Jeff Skoll

Mohamed Khalaf Al-Mazrouei

Mark Radcliffe

John Norris

Sonya Lunsford

Jennifer Hawks

Bill Bernstein

Andrew Silver

Dale Robinette

David Giammarco

Scott Millan

Scott A. Jennings

Dennis Drummond

Willie D. Burton

Russell Allen

Dana Kay Hart

Erik Bernstein

Rocky Capella

Will Arnot

Camille Friend

Brad Wilder

Natasha Ladek

Robert Bella

Mark Graziano

Brian McNulty

Robin Sweet

Donald Sparks

Robin Lynn Bonaccorsi

Jwaundace Candece

Rex Reddick

Kendrick Hudson

Curtis Lindersmith

Jim Passon

Colin J. Campbell

Shawn Torge

Gloria Belz

Mary Everett

Robert Cole

Khris Bennett

Karen Davis

Brian Smith

Adam Cole

Drama

The Help

DreamWorks Pictures

Reliance Entertainment

Participant

Image Nation Abu Dhabi

1492 Pictures

Harbinger Pictures

Touchstone Pictures

India

United Arab Emirates

United States of America

English

based on novel or book

mississippi river

exploitation

racial segregation

racism

writer

maid

moral courage

ressentiment

southern belle

racial issues

1960s

newspaper columnist

desperate

cautionary

authoritarian

Andres Gomez

Great setting, cast, story and performances. A must to be seen.

I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

Kamurai

Great watch, probably won't watch again, and can recommend.

To be fair, you should watch this prepared for what it is: 
a racial suffrage movie.

That means that it is filled with racism and unfair strife, and stupid jerks of the elite class that are under the impression that they can still buy and sell people because they do.

This is a fantastic movie, but it is a heavy, serious story, and the humor in it barely makes it more palatable in that regard.

The cast is filled with great actresses who give excellent performances, the script is well written, and the production value is great.

It isn't going to provide a level of escapism from worldly problems, but I don't have to like a movie to recognize its greatness.

The Help( 2011)

Change begins with a whisper.

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A review by Andres Gomez

Written by Andres Gomez on Fri Jan 24 2014

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