Soma Santoki

Masaki Suda

Ko Shibasaki

Aimyon

Yoshino Kimura

Takuya Kimura

Keiko Takeshita

Jun Fubuki

Sawako Agawa

Karen Takizawa

Shinobu Ôtake

Jun Kunimura

Kaoru Kobayashi

Shōhei Hino

Toshiyuki Inoue

Hideki Hamasu

Ai Takashi

Yoshimi Itazu

Kiyofumi Nakajima

Atsuko Fukushima

Yuuga Tokuno

Atsuko Tanaka

Hiroomi Yamakawa

Susumu Mitsunaka

Takeshi Inamura

Eiji Yamamori

Takayuki Hamada

Atsuko Otani

Kazuyoshi Katayama

Goro Miyazaki

Minori Takayama

Chihiro Okada

Rie Matsubara

Mika Yamaguchi

Yui Onodera

Yumi Handa

Yoichi Nishikawa

Nanako Yagi

Kosuke Hayashi

Saki Kurobe

Koji Kasamatsu

Ai Omori

Kanako Takayanagi

Kazuo Oga

Yumi Ishii

Takeshi Seyama

Akane Shiraishi

Fumiko Numahata

Ayahi Shimomura

Shintarou Nakazawa

Junji Yabuta

Noboru Yoshida

Yoshiaki Nishimura

Hayao Miyazaki

Takeshi Honda

Koji Hoshino

Yoji Takeshige

Atsushi Okui

Toshio Suzuki

Kenshi Yonezu

Michiyo Suzuki

Megumi Kagawa

Yoshimichi Kameda

Kiyotaka Oshiyama

Hiromasa Yonebayashi

Ei Inoue

Masashi Ando

Akihiko Yamashita

Shinya Ohira

Katsuya Kondo

Shinji Otsuka

Kitarou Kousaka

Joe Hisaishi

Animation

Adventure

Fantasy

Family

Drama

君たちはどう生きるか

Studio Ghibli

Japan

日本語

The Boy and the Heron

loss of loved one

world war ii

education

coming of age

spirituality

poverty

teenage boy

troubled childhood

semi autobiographical

moving to a city

anime

hand drawn animation

magic world

animation

courage

absurd

earnest

Manuel São Bento

MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition

THE BOY AND THE HERON is a visually captivating film that struggles to balance all of its storylines and themes. Technically, no faults. The visuals are nothing short of breathtaking, with each shot meticulously detailed and rich in storytelling. The animation is a true work of art, drawing viewers into a world of wonder and magic. The sound design and score complement the visuals beautifully, enhancing the overall viewing experience. And finally, the film retains the typical Ghibli humor that fans have come to love, sprinkling lighthearted moments throughout the narrative.

However, Hayao Miyazaki succumbs to his ambition. The filmmaker tries to incorporate too many ideas, resulting in a somewhat confusing, messy narrative, particularly in the transitions between different characters, locations, and story arcs. THE BOY AND THE HERON stumbles in its attempt to juggle multiple ideas, but overall, it still manages to deliver a delightful, enchanting experience for fans of the studio's work.

Rating: B-

CinemaSerf

Maybe it's sacrilegious to say, but I didn't love this latest from the marvellously imaginative mind of Hayao Miyazaki. It follows the adventures of "Mahito" who arrives at the home of his factory-owning father amidst WWII. We appreciate quickly that his mother has died and that he is to have a new, expectant, mother in "Natsuko". When she mysteriously disappears and "Mahito" finds his presence "requested" by an enigmatic and beautiful grey heron, he strays into an old abandoned tower on his family estate and is soon embroiled in a world inhabited by people who are alive and, well, not! It seems the heron is not quite what it seemed, either, as he must explore rooms within rooms and endless doors that open into new scenarios. Pursued by giant pelicans, how can "Mahito" find his stepmother and return safely to their home? Luckily, along the way, he encounters the benevolently spiritual "Kiriko" as he finds himself the subject of some clever manipulation between the outwardly benign "Grand Uncle" who draws the power of life from a giant sacred stone he wishes to leave in the custody of our young explorer and the ambitious "Pelican King". You simply cannot fail to admire the vivid imagination of Miyazaki - the ideas and apparent randomness of the threads that gradually come together is hard enough to follow sometimes even when you have seen the denouement, and that's what makes these intricately drawn and characterised stories usually more intriguing and enjoying. Somehow, though, this was just a little too unstructured and meandering for my little brain. I've seen it twice now and maybe I just didn't engage with "Mahito" in the way I did with "Howl", "Totoro" or 'Chihiro" or, indeed, with the story. It's still a glorious watch on a big screen and is certainly well worth watching. Just not sure it is in his top five, though!

Chandler Danier

Good little adventure for this young man who... has a bit of a strange situation with his dad. What a crazy bugger his dad is and what kind of family dynamic is going on? Is the younger sister pregnant with the dad's kid? Maybe it's cultural and I'm not sure why the old man changes intention so quickly or what the bird motivations are. Perhaps will read a book about it one day.

It's fun. There's cool animation. I like to watch these in Japanese with subs but I went back to listen to the English track for certain scenes. Dafoe kills it as the dying stork.

Mahito Meets The Warawara

Official Clip - Flight of the Warawara

On 4K Steelbook, 4K/Blu-ray & Blu-ray/DVD

Coming Soon to 4K Blu-ray & Digital!

Official Trailer 2

Joe Hisaishi Conducts "The Last Smile"

Toshio Suzuki on Hayao Miyazaki & the Future of Animation [Subtitled]

'The Boy and the Heron' | Scene at The Academy

Joe Hisaishi on the Piano

Hayao Miyazaki's THE BOY AND THE HERON is a Staggering Work of Imagination | TIFF 2023

The Final Teaser

Kenshi Yonezu & Masaki Suda on working with Hayao Miyazaki [Subtitled]

Official English Trailer

Behind the Scenes of “The Boy and the Heron”（君たちはどう生きるか）[Subtitled]

Guillermo del Toro on Hayao Miyazaki's The Boy and the Heron

Official Teaser Trailer [Subtitled]

Introduction

The Boy and the Heron( 2023)

Where death comes to an end, life finds a new beginning.

Overview

Top Billed Cast

Social

A review by Manuel São Bento

Written by Manuel São Bento on Fri Oct 27 2023

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