Max Schreck

Gustav von Wangenheim

Greta Schröder

Georg H. Schnell

Ruth Landshoff

Gustav Botz

Alexander Granach

John Gottowt

Max Nemetz

Wolfgang Heinz

Albert Venohr

Eric van Viele

Karl Etlinger

Guido Herzfeld

Hans Lanser-Rudolf

Loni Nest

Josef Sareny

Fanny Schreck

Hardy von Francois

Heinrich Witte

F. W. Murnau

Albin Grau

Hans Erdmann

Henrik Galeen

Enrico Dieckmann

Bram Stoker

Fritz Arno Wagner

Günther Krampf

Horror

Fantasy

Nosferatu, eine Symphonie des Grauens

Prana-Film

Germany

No Language

Nosferatu

self sacrifice

transylvania

germany

loss of loved one

vampire

shapeshifting

coffin

supernatural

castle

ghost ship

black and white

silent film

seashore

vampire bat

real estate agent

ghoul

psychotronic

locket

sailing ship

corpse in coffin

nosferatu

real estate

black death

expressionism

mountain country

sleepwalking

romania

german expressionism

dracula

Gimly

Did I kill one of your people, Murnau? I can't remember.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

CinemaSerf

If you were ever to be able to commit your imagination to film when you read Bram Stoker's "Dracula" then I expect you would struggle to come up with anything more vivid than this. What is most striking is the wonderful detail as poor old estate agent "Hutter" is despatched to the home of "Count Orlok" (Max Schreck) to negotiate the acquisition of an isolated house for him. Once he arrives at the castle, we are subsumed in the eeriness and wickedness as it becomes clear that "Orlok" is an epitome of evil. Our story follows the travels of the "Count" from his castle to his new home - wreaking plague and havoc as he goes - until he arrives in the town inhabited by "Ellen" (a superbly vulnerable yet strong Greta Schröder) - the wife of the estate agent who is hot on their heals. "Ellen" has an inkling as to how to kill their nemesis, but that would involve the ultimate sacrifice. Now I have a few slight niggles with it - the inter-titles in a gothic script are, frequently, very difficult to read and that does interrupt the narrative; the editing is just a little too brutal at times and I found the score oppressive - even on the more joyous, or optimistic, scenes it seemed just a bit too overpowering than is necessary, but these are trifles when compared to the beautiful photography. Schreck is magnificent in the title role, exuding menace and malevolence, Gustav von Wangenheim ("Hutter") conveys the sense of desperation and terror in a truly evocative manner and it all adds up to a taut horror film the likes of which you'll never see in any subsequent treatment of this story.

Nosferatu( 1922)

A symphony of horror.

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A review by Gimly

Written by Gimly on Fri Oct 27 2017

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