Robert Pattinson

Naomi Ackie

Steven Yeun

Mark Ruffalo

Toni Collette

Anamaria Vartolomei

Daniel Henshall

Patsy Ferran

Steve Park

Tim Key

Holliday Grainger

Michael Monroe

Cameron Britton

Edward Davis

Ian Hanmore

Lloyd Hutchinson

Christian Patterson

Samuel Blenkin

Sabet Choudhury

Rose Shalloo

Bronwyn James

Milo James

Jude Mack

Thomas Turgoose

Adam Colborne

Tom Cawte

Ellen Robertson

Sam Woodhams

Kayla Meikle

Haydn Gwynne

Theo Ogundipe

Jamila Wingett

Spike White

Angus Imrie

Afolabi Alli

Anna Mouglalis

Fiona Crombie

Lucy Cork

Bong Joon Ho

Dooho Choi

Darius Khondji

Jung Jae-il

Edward Ashton

Matthew Sharp

Ben Howard

Yang Jin-mo

Lewis Cook

Deanna Marshall

Sarah Lochlan

Paul Biddiss

Laura Mickiewicz

Alice Felton

Chris Straessle

Jason Knox-Johnston

Lisa McDiarmid

Catherine George

Dan Grace

Christine Lois

Conner Smart

Chelsea Davison

Paul Savulescu

Marianne Jenkins

Jan Gronczewski

Peter Dodd

Brad Pitt

Jessica Hooker

Marlow Hope

Jeremy Kleiner

Dede Gardner

Pete Chiappetta

Andrew Lary

Anthony Tittanegro

Jesse Ehrman

Dan Glass

Dominique Law

Chris McLaughlin

David Fox

Saado Abou-Khazaal

Christine Neumann

Robyn Luckham

Michael Byrch

Pete Ford

P. Whitney Gearin

Francine Maisler

Isabella Abrams-Humphries

Yusuf Chaudhri

John Flemming

John Higgins

Damien van der Cruyssen

Jo Beckett

Paul Lowe

Eilam Hoffman

Stuart Wilson

Choi Tae-young

Stephen Doyle

Chris Bain

Jonathan England

Freddie FitzHerbert

Tony Higgins

Barney Piercy

Balaji Anbalagan

Uxue Laguardia

Niamh O'Loan

Ann Lynch

David Zealey

Michael Mann

Christopher Ross

Alex Clark

Stuart Penn

Guido Wolter

Ryan Urban

Antony Robert Ephgrave

Jonathan Olley

Kim Jae-won

Lara Channon

Kyle Casey

Jang Hee-chul

Lee Herrick

Jeffrey Roy

Aaron Southerland

Anita Burger

Jack Flemming

Amy Wyatt

Joey Hodges

Samuel Hussey

Vincent Scotet

Russell Kennedy

Terry Robb

Thomas Royal

Gabriel Kolodny

Kate Chadderton

Sophie Earnshaw

Amy Djordjevic

Science Fiction

Comedy

Adventure

Mickey 17

Warner Bros. Pictures

Plan B Entertainment

Offscreen

Kate Street Picture Company

Domain Entertainment

United States of America

United Kingdom

English

based on novel or book

dark comedy

space travel

space colony

alien planet

creature

space adventure

human cloning

spaceship

amused

space sci-fi

black comedy

perjalanan luar angkasa

fiksi ilmiah

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/mickey-17-review-robert-pattinson-shines-in-bong-joon-hos-latest-genre-bending-adventure/

"Mickey 17 presents an intriguing sci-fi concept and raises interesting questions, even if it doesn't always explore them with the desired depth. 

Bong Joon-ho continues to demonstrate his mastery in blending genres, but here, the satire and lack of subtlety in the narrative end up limiting the emotional and philosophical impact of a story centered on sociopolitical themes like identity, technology, and colonialism.

Nevertheless, with a star-studded cast led by an excellent Robert Pattinson and a captivating audiovisual style, the South Korean filmmaker reinforces his status as one of the most creative directors working today, delivering an experience that falls somewhere between fascinatingly hilarious and frustratingly superficial."

Rating: B

Brent Marchant

Some movies have a way of hitting things right on the head, either intentionally or by happy accident. And such is the case in both regards in the latest offering from Oscar-winning writer-director Bong Joon Ho, a hilariously insightful sociopolitical sci-fi satire that knocks it out of the park in more ways than one can count. In an age of casual throw-away culture, “Mickey 17” takes this idea to an entirely new level by following the dubious exploits of the title character (Robert Pattinson), who works as an “expendable,” a human charged with determining just how lethal various new technologies and environmental conditions are in an off-world colony of the future. The ironic, questionable term for this profession is derived from the fact that its practitioners are considered wholly disposable in every sense of the word but are fully capable of being regenerated in full thanks to a form of digital human printing, allowing subsequent iterations of these beings to be created as often as needed. However, life isn’t quite so “simple and straightforward” for the Mickey expendable when he gets caught up in a series of complicated developments involving an illegal double, the whims of the maniacal cultist colony leader (Mark Ruffalo) and his self-absorbed wife (Toni Collette), the scheming of an unreliable, self-serving childhood friend (Steven Yeun), a relentless loan shark (Ian Hanmore) from his days back on Earth, and an aspiring romantic interest (Anamaria Vartolomei) who tries to get between Mickey and his girlfriend (Naomi Ackie), a passionate but badass security officer. The narrative’s various story threads blend well together (even if a few of them are a little stretched out or aren’t developed as fully as they might have been), but they collectively tell a well-integrated tale that generally keeps viewers riveted throughout. This captivating yarn is superbly supported by the picture’s inventive visuals, expert editing. and stellar performances, most notably Ruffalo, Collette, Ackie and the first-ever portrayal by Pattinson that I’ve actually liked. What makes this offering especially and somewhat inadvertently effective, however, is the timing of its release, which was originally scheduled for a year ago but was delayed due to the SAG-AFTRA strike, a truly fortuitous blessing in disguise. Given current conditions in today’s turbulent sociopolitical climate, particularly the unpredictable leadership of one particular politician, “Mickey 17” couldn’t have debuted at a more pertinently appropriate time. (While I’ll spare the specifics here, let me just say that MAGA fans and evangelical conservatives probably won’t find this picture much to their liking.) In addition, the film deftly addresses a number of pressing social and cultural themes, such as how the average, everyday working class individual is looked upon and treated these days, the expendability question coming front and center. Some might see these attributes as somewhat heavy-handed or preachy, but then such “excesses” are the essence of good satire, and the filmmaker holds nothing back here. I’m also amazed that all of this was foreseen so far in advance of the emergence of current conditions, decidedly prescient and poignantly relevant in its insights. Indeed, this is genuinely is a cinematic fable for our times – a rather scathing one, to be sure, but a damning fable nevertheless. Moreover, if this release is any indication of what 2025’s crop of new pictures will be like, I warmly welcome it given the awful movie year that has just passed. And, where “Mickey 17” is concerned, let’s hope that this all comes to pass – both on the big screen and otherwise.

CinemaSerf

“Mickey” (Robert Pattinson) is desperate to avoid a grisly fate at the hands of a loan shark, so decides his best bet is to get off-planet. Thing is, there are an whole load of like-minded folk so his only hope is to be an expendable. That means he gets used for all the dangerous and experimental tasks and if he gets killed or seriously maimed, they just lob him in the incinerator and reprint him - complete with all his old and quite a few new memories. Travelling through space, he meets “Nasha” (Naomie Ackie) and they have a good thing going, even if the imperious couple in charge - Mark Ruffalo and Toni Collette - have forbidden the wasting of the 100 calories it takes to have sex! Things start to go a bit wrong, though, when he unexpectedly survives one chilly mission only to find upon his return they have already duplicated his successor. “Nasha” thinks the ménage-à-trois thing could work quite well but “Mickey” less so, and when rumours of their duplicate existence starts to abound, well things get distinctly dodgy. Meantime, the indigenous population of the planet they have landed on are getting a bit cross with the murderous attitudes of their human interlopers, and so perhaps it’s gonna be for “Mickey” x 2 and “Nasha” to sort things out before the pitch changes altogether. It’s quite good fun this, but I kept thinking of “Galaxy Quest” and couldn’t decide if Ruffalo was having a go at Donald Trump or Val Kilmer with his rather hammy performance. Also, despite being easy enough on the eye, Pattinson is a remarkably charm-free actor and here, even when there are some daft scenarios and the CGI works flat out to create a perfect series of images, he just underwhelmed the whole time and when the film is about more than one of him, that mattered. Collette and Steven Yeun are relatively under-used and it’s simply far too long to sustain the thinness of a plot that does raise some interesting issues around human cloning, exploration and that especially American cinematic trait of shooting extra-terrestrials first and then asking question later, but I was disappointed with this, sorry.

'Mickey 17' is a blast! What a fun time at the cinema this was. It delivers a super engaging plot, an excellent cast and some tremendous special effects. I, like almost everyone, love Bong Joon Ho's 'Parasite', but personally I'd rank this one of his higher.

That's likely a personal thing, this is more entertaining and highly likely more rewatchable; that named 2019 flick is quality, but I can't say I've had any inkling to revisit it since I watched it in 2020. Again, just me; it'll obviously vary person-to-person. Two great films, all the same.

Robert Pattinson is brilliant as the titular character, he kills it (ba dum tss) all the way through. Naomi Ackie is as terrific though, she is smashing it in recent years; hard to separate her fantastic performances in 'I Wanna Dance with Somebody', 'Blink Twice' and this.

Mark Ruffalo, Toni Collette and Steven Yeun are super in their respective roles too. Top notch casting! Anna Mouglalis voices the leader of the Creepers, who I thought looked outstanding. Awesome effects. The whole look (and sound) of this movie is first-rate. Loved it.

Nothing incredibly groundbreaking, and a little heavy handed with the satire, but a fun ride and well shot, with all of the "I shouldn't laugh at this but I am" that you'd expect

I am guilty, as many others will be, of comparing this to Parasite. Doing so is doing the movie a disservice. From Bong Joon Ho I was not expecting a silly black comedy that would have the whole theater laughing. Accept and enjoy it and you'll have a great time.

Although I felt like I was getting slapped in the face with the Trump satire, it still hit pretty well and got a good few laughs out of me.

After all this, I'm still wondering what the sauce is about...

Another day, another death… and another… and another.

The creepers just get Mickey.

It’s official — Robert Pattinson’s performance is absolutely 🔥🔥🔥

Dying sucks, every time.

If you’re not dying to see Mickey 17, then you’re not living.

Life is Mickey’s greatest reward.

Mickey can save them.

It’s just a little hard to believe

This Mickey is special. Mickey 17 is the #1 movie in the world.

Official IMAX® Interview

How Robert Pattinson Surprised Director Bong in Mickey 17 | BAFTA

Message received — get tickets now for Mickey 17, only in theaters tomorrow.

Nasha & Mickey

Mickey 17 will make you want to “live harder, and love more than ever.”

Interview with Director Bong Joon Ho

Bong Joon Ho on Mickey 17

Spend a few hours with multiple Robert Pattinsons by getting tickets for Mickey 17

Mickey 17( 2025)

He's dying to save mankind.

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A review by Manuel São Bento

Written by Manuel São Bento on Fri Mar 07 2025

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