I don't what to say about this movie. One thing is very certain. The Avant-Garde movement of the 1960s and 1970s is blatantly clear in the styling of this film. That alone makes this one work a significant, historical mile-post in cultural cinema. Typically avant-garde, the film's sarcasm pointed at the bourgeois (capitalist) class is not only quite biting, but also quite humorous. It uses the juxtaposition of horrendously misfitting music as a means to an end. And it works beautifully. Other than it's class struggle element, I'm not sure what else is relevant in the 21st century. But ...